- Texto – | Fire Devastates Brazil's Oldest Science Museum | http://science.nationalgeographic.com |
- 06 Multiple Choice Questions | Four-Option Question |
❑ TEXTO: Read the text to answer questions 49 to 53.
IncĂȘndio devasta o museu de ciĂȘncia mais antigo do Brasil
The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.
O inferno noturno destruiu provavelmente fĂłsseis, artefactos culturais e outras coleçÔes insubstituĂveis acumuladas ao longo de 200 anos.
- By Michael Greshko - PUBLISHED September 6, 2018
Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum.
Peças principais[Major pieces] do patrimĂŽnio cientĂfico e cultural do Brasil "virou fumaça"[went up in smoke] no dia 2 de setembro, quando um incĂȘndio devastador destruiu[ripped through] grande parte Museu Nacional, no Rio de Janeiro.
Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.
Fundado em 1818, o museu Ă© a instituição cientĂfica mais antiga do Brasil e um dos maiores e mais conceituados museus da AmĂ©rica Latina, reunindo um acervo de cerca de 20 milhĂ”es de artefatos de inestimĂĄvel valor cientĂfico e cultural.
The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus.
O acervo do Museu Nacional inclui Luzia, um crùnio com 11.500 anos considerado um dos fósseis humanos mais antigos da América do Sul, bem como ossos de criaturas tipicamente brasileiras, como o dinossauro de pescoço comprido Maxakalisaurus.
Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.
Devido ao gosto dos imperadores brasileiros do sĂ©culo XIX pelos leilĂ”es, o Museu Nacional ficou tambĂ©m com a mais antiga coleção de mĂșmias e artefactos egĂpcios da AmĂ©rica Latina.
Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon.
AtĂ© o edifĂcio tem importĂąncia histĂłrica: albergou a famĂlia real portuguesa exilada de 1808 a 1821, apĂłs a sua fuga para o Rio de Janeiro em 1807 para escapar de NapoleĂŁo.
The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902.
O complexo serviu tambĂ©m de palĂĄcio para os imperadores brasileiros pĂłs-independĂȘncia atĂ© 1889, antes da transferĂȘncia do acervo do museu para lĂĄ em 1902.
In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection.
Num e-mail de 5 de setembro, a curadora do Museu Nacional, DĂ©bora Pires, escreveu que as coleçÔes de entomologia e aracnologia foram completamente destruĂdas, assim como a maior parte da coleção de moluscos.
However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species.
No entanto, os tĂ©cnicos enfrentaram o incĂȘndio para salvar 80% dos holĂłtipos de moluscos — os espĂ©cimes que servem formalmente como referĂȘncias globais para uma determinada espĂ©cie.
The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.
Os espĂ©cimes de vertebrados, o herbĂĄrio e a biblioteca do museu foram armazenados separadamente e sobreviveram ao incĂȘndio.
(...)
Uma perda insubstituĂvel[irreparĂĄvel]
It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported.
Ainda nĂŁo Ă© claro como o incĂȘndio começou, mas começou depois de o museu ter sido fechado ao pĂșblico, e ainda nĂŁo hĂĄ relatos de feridos.
Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.
Os bombeiros trabalharam durante toda a noite para apagar o incĂȘndio do edifĂcio principal, mas parece que o incĂȘndio jĂĄ abriu um enorme buraco na carreira de muitos cientistas.
“The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections.
A importĂąncia das coleçÔes perdidas Ă© inestimĂĄvel”, afirma Luiz Rocha, ictiĂłlogo brasileiro atualmente na Academia de CiĂȘncias da CalifĂłrnia, que visitou o Museu Nacional por diversas vezes para estudar as suas coleçÔes.
“They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”
“Eram Ășnicas: muitas delas eram insubstituĂveis, nĂŁo hĂĄ como lhes atribuir um valor monetĂĄrio.”
“In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.
“Em termos da minha agenda de investigação ao longo da vida, estou praticamente perdido”, diz Marcus Guidoti, um entomologista brasileiro que estĂĄ a concluir o doutoramento num programa co-gerido pela Universidade Federal do Rio Grande do Sul.
Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens.
Guidoti estuda os percevejos-de-renda, uma famĂlia de insetos com mais de 2.000 espĂ©cies em todo o mundo. O Museu Nacional possuĂa uma das maiores coleçÔes de percevejos-da-renda do mundo, mas o incĂȘndio destruiu-a provavelmente, assim como os outros cinco milhĂ”es de espĂ©cimes de artrĂłpodes do museu.
“Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message.
“Estes espĂ©cimes-tipo nĂŁo podem ser substituĂdos e sĂŁo cruciais para compreender a espĂ©cie”, diz por mensagem de texto.
“If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”
“Se eu estivesse disposto a continuar a trabalhar com esta famĂlia nesta regiĂŁo do globo, isso seria definitivamente um grande sucesso.”
Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond thecollections themselves.
A paleontĂłloga Dimila MothĂ©, investigadora de pĂłs-doutoramento na Universidade Federal do Estado do Rio de Janeiro, acrescenta que os golpes Ă ciĂȘncia vĂŁo alĂ©m das prĂłprias coleçÔes.
“It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”
"NĂŁo se trata apenas da histĂłria cultural, da histĂłria natural, mas de todas as teses e pesquisas ali desenvolvidas", diz ela. "A maioria dos laboratĂłrios de lĂĄ tambĂ©m se perdeu, assim como a investigação de vĂĄrios professores. NĂŁo tenho a certeza se Ă© possĂvel descrever o impacto do que se perdeu."
Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.
O conhecimento indĂgena brasileiro tambĂ©m sofreu. O Museu Nacional albergava coleçÔes de objetos indĂgenas de renome mundial, bem como inĂșmeras gravaçÔes ĂĄudio de lĂnguas indĂgenas de todo o Brasil. Algumas dessas gravaçÔes, hoje perdidas, eram de lĂnguas que jĂĄ nĂŁo se falam.
“I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University.
“NĂŁo tenho palavras para dizer o quĂŁo horrĂvel isto Ă©”, diz a antropĂłloga brasileira Mariana Françozo, especialista em objetos indĂgenas sul-americanos na Universidade de Leiden.
“The indigenous collections are a tremendous loss ... we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.”
“As coleçÔes indĂgenas sĂŁo uma perda tremenda... jĂĄ nĂŁo as podemos estudar, jĂĄ nĂŁo conseguimos compreender o que os nossos antepassados faziam. Ă de partir o coração.”
On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents — some still flecked in notes or illustrations — have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.
Na segunda-feira, o jornal brasileiro G1 Rio noticiou que cinzas de documentos queimados — alguns ainda salpicados de notas ou ilustraçÔes — caĂram do cĂ©u a mais de um quilĂłmetro do Museu Nacional, lançadas ao ar pelo fogo.
(...)
Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire.
Nota do editor: esta histĂłria foi atualizada a 6 de setembro de 2018, com novos detalhes sobre quais os artefactos que sobreviveram ao incĂȘndio.
- Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.
49 – In the excerpt
- “Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America”
we have 3 (three) occurrences of:
A) The superlative of inferiority of adjectives.
B) The superlative of superiority of adjectives.
C) The comparative of inferiority of adjectives.
D) The comparative of superiority of adjectives.
• Gabarito B
In the excerpt
- “Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America”
we have 3 (three) occurrences of:
A) The superlative of inferiority of adjectives.
B) The superlative of superiority of adjectives.
C) The comparative of inferiority of adjectives.
D) The comparative of superiority of adjectives.
50 – In the excerpt
- “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”,
the word IT refers to:
A) The building.
B) Importance.
C) Royal family.
D) Rio de Janeiro.
• Gabarito A
The word IT refers to:
A) The building.
B) Importance.
C) Royal family.
D) Rio de Janeiro.
- “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”,
- “AtĂ© o edifĂcio tem importĂąncia histĂłrica: Ele (o prĂ©dio) albergou a famĂlia real portuguesa exilada de 1808 a 1821, depois de fugirem para o Rio de Janeiro em 1807 para escapar a NapoleĂŁo”,
51 – According to the text about the Brazilian National Museum, the fire
A) burned vertebrate specimens, herbarium and library.
B) destroyed entomology and arachnology collections.
C) provoked the exile of the Portuguese royal family.
D) reached renowned museums in Latin America.
• Gabarito B
According to the text about the Brazilian National Museum, the fire
De acordo com o texto sobre o Museu Nacional, o incĂȘndio
A) burned vertebrate specimens, herbarium and library.
queimou exemplares de vertebrados, herbĂĄrio e biblioteca.
B) destroyed entomology and arachnology collections.
destruiu coleçÔes de entomologia e aracnologia.
C) provoked the exile of the Portuguese royal family.
provocou o exĂlio da famĂlia real portuguesa.
D) reached renowned museums in Latin America.
atingiu museus de renome na América Latina.
52 – The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
A) Paleontology.
B) Entomology.
C) Herbology.
D) Anthropology.
• Gabarito C
The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
O incĂȘndio causou danos e prejuĂzos em diferentes ĂĄreas do Museu Nacional, EXCETO em:
A) Paleontology.
Paleontologia.
B) Entomology.
Entomologia.
C) Herbology.
Herbologia.
D) Anthropology.
Antropologia.
53 – The correct reported speech form for the sentence
- “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”,
said by Dimila Mothé, is:
A) Dimila Mothé said that most of the laboratories
there were lost, too, and the research of several
professors and she is not sure one can say the
impact of what was lost.
B) Dimila Mothé said that most of the laboratories
there had been lost, too, and the research of
several professors and she was not sure one
could say the impact of what had been lost.
C) Dimila Mothé said that most of the laboratories
there were lost, too, and the research of several
professors and she was not sure one could say
the impact of what was lost.
D) Dimila Mothé said that most of the laboratories
there are lost, too, and the research of several
professors and she was not sure one can say the
impact of what was lost.
• Gabarito B
The correct reported speech form for the sentence
A forma correta do DISCURSO INDIRETO para a frase
- “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”,
said by Dimila Mothé, is:
A) Dimila Mothé said that most of the laboratories
there were lost, too, and the research of several
professors and she is not sure one can say the
impact of what was lost.
B) Dimila Mothé said that most of the laboratories
there had been lost, too, and the research of
several professors and she was not sure one
could say the impact of what had been lost.
C) Dimila Mothé said that most of the laboratories
there were lost, too, and the research of several
professors and she was not sure one could say
the impact of what was lost.
D) Dimila Mothé said that most of the laboratories
there are lost, too, and the research of several
professors and she was not sure one can say the
impact of what was lost.
54 – Lima Barreto’s work (Sad End of Policarpo Quaresma) describes a man who acted in some areas along his life.
Check the alternative that shows the area that it was
NOT active.
A) Agriculture.
B) Music.
C) Medicine.
D) Politics.
• Gabarito C
- Lima Barreto’s work (Sad End of Policarpo Quaresma) describes a man who acted in some areas along his life.
- A obra de Lima Barreto (Triste Fim de Policarpo Quaresma) descreve um homem que trabalhou em algumas ĂĄreas ao longo da sua vida.
Check the alternative that shows the area that it was
NOT active.
A) Agriculture.
B) Music.
C) Medicine.
D) Politics.

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