sábado, 20 de setembro de 2025

UECE – 2024.2 – Língua Inglesa – Vestibular – 1ª Fase – Universidade Estadual do Ceará

 

📝 TEXTO
1️⃣ Texto – The word ‘viral’ has lost its meaning www.washingtonpost.com |
📝 ESTILO MÚLTIPLA ESCOLHAS
🔹 8 MCQs (Multiple Choice Questions)
🔹Four-Option Question.

❑ TEXTO:

The word ‘viral’ has lost its meaning 

The nature of virality has shifted radically over the past decade as the internet has fractured into uncounted disparate algorithms, platforms, and niche communities. 

The volume of content being churned out every day has skyrocketed, the life cycle of each piece of media has grown shorter and social media platforms continue to inflate public metrics, devaluing previously impressive online stats. 

All of these factors have rendered the term “viral” nearly meaningless, say experts, and have led to a condition we’ll call “viralflation.” 

The term speaks to the diminished meaning of virality. If everything is labeled viral, then is nothing viral? 

“Back in the day, 1 million views was the thing,” said Marcus Stringer, a partner manager at Social Blade, a social media analytics platform. 

“That meant you’d gone viral, and you’d get picked up by news agencies around the world. Now, tens of millions of views is the norm for top YouTube channels. Soon, 20 million views will eventually become the norm.” 

“Because the concept of virality has been so watered down, truly viral pieces of content must reach hundreds of millions of people at a scale that’s increasingly unattainable for anyone but MrBeast,” said Lara Cohen, vice president of partners and business development at Linktree, a platform that allows creators to aggregate links to their social media profiles on one page. MrBeast is the internet name of Jimmy Donaldson, YouTube’s most watched creator. 

A decade and a half ago, there was a clear delineation between viral content and the vast majority of media that users would encounter every day. 

The internet was smaller, and most sharing was manual (people emailing and messaging links to each other) or via early internet aggregators such as sites like Digg and StumbleUpon. 

Viral content emerged slowly, so the life span of a viral video was long. 

Some content remained viral for up to a year, worming its way through the internet as it gained traction. 

When social media platforms began to switch to algorithmic feeds optimized for engagement in the mid 2010s, the viral content cycle accelerated, experts said. 

Brands began recognizing the power of virality and started to attempt to manufacture it. Content creators joined engagement groups where they’d reshare each other’s content in attempts to force virality. 

Platforms themselves also began to realize the power of virality and sought to generate it, or at least generate the appearance of it. 

This was the beginning of the era of viralflation. 

Facebook helped lower the industry-wide threshold for what counted as a video view, and began inflating view counts on various Facebook videos in an effort to make them appear more viral than they were. 

Then TikTok broke into the mainstream in 2020, lowering the bar even further for what counted as a “view.” While a view on Facebook counts after three seconds of watch time, a view on TikTok is simply an impression, meaning the video was served to a user for at least a fraction of a second on screen. 

According to the company, TikTok also counts each loop of the video as a view, allowing videos to rake in massive view counts. 

“The speed at which we cycle through trends and sort of moments of virality on the internet is faster now largely because of TikTok,” 

Cohen said. This has created an arms race among tech platforms to see which could inflate metrics the most. 

There’s been an incentive to have these numbers look bigger because they look better to advertisers, so there’s a financial incentive to cause this viral inflation. 

A new class of content creators also has raised the bar for what’s considered viral. 

“When MrBeast started to explode, things really started to change in the landscape,” Stringer said. “People didn’t consider [earlier metrics of virality] viral anymore, because he’s getting multi millions of views per video.” 

Coco Mocoe, a trend forecaster in Los Angeles, said that along with these shifts, users are also consuming a higher total amount of content online per day, especially members of Generation Z, those born between 1998 and 2012. 

They are more likely to consume all forms of media through the internet and social platforms, rather than via newspapers or TV. 

And, much of that content is short form and less than 60 seconds long. 

“The main reason there are bigger numbers now is because people are consuming so much more content in a given sitting,” she added. 

This has made virality more ephemeral. “There’s not that same… permanence,” Mocoe said. “If you’re watching 50 videos with 1 million views, you’re less likely to remember one as opposed to a decade ago, when you might only watch five videos a day, and just one would have 1 million views.” 

For the average consumer, viralflation has made it increasingly difficult to tell what is and isn’t actually viral. 

Because we no longer have any shared sense of virality, it makes it easier for people who don’t understand the mechanics of the internet to fall for fake viral trends. 
Adapted from: https://www.washingtonpost.com/ 2024/03/09/ 

78 – One of the reasons the word "viral" is nearly meaningless nowadays is the fact that 
A) people's preferences have changed radically since 2006. 
B) the everyday volume of content released has skyrocketed. 
C) content creators no longer join engagement groups. 
D) Facebook counts each loop of a video as a view. 
💡 GABARITO  🄱  
One of the reasons the word "viral" is nearly meaningless nowadays is the fact that
Uma das razões pelas quais a palavra "viral" é quase sem sentido hoje em dia é o fato de 
A) people's preferences have changed radically since 2006.
as preferências das pessoas mudaram radicalmente desde 2006
B) the everyday volume of content released has skyrocketed.
o volume diário de conteúdos lançados disparou
O texto: “The volume of content being churned out every day has skyrocketed…”
C) content creators no longer join engagement groups.
os criadores de conteúdos já não participam em grupos de engagement
D) Facebook counts each loop of a video as a view.
o Facebook conta cada loop de um vídeo como uma visualização.

79 – According to the article, things began to change in the internet landscape when 
A) Linktree broke into the mainstream. 
B) internet aggregators such as Digg became popular. 
C) the platform owned by Jimmy Donaldson started to explode. 
D) a view on TikTok started counting in three seconds. 
💡 GABARITO  🄲  
According to the article, things began to change in the internet landscape when
De acordo com o artigo, as coisas começaram a mudar no panorama da internet quando 
A) Linktree broke into the mainstream.
o Linktree tornou-se popular
B) internet aggregators such as Digg became popular.
os agregadores de internet como o Digg tornaram-se populares
C) the platform owned by Jimmy Donaldson started to explode.
a plataforma propriedade de Jimmy Donaldson começou a explodir
D) a view on TikTok started counting in three seconds. 
uma visualização no TikTok começou a contar em três segundos.

80 – Because of "viralflation", it has become harder to 
A) consume media through social platforms. 
B) distinguish what is and what is not really viral. 
C) find companies willing to provide financial incentives. 
D) hire good content creators to engage young viewers. 
💡 GABARITO  🄱  
Because of "viralflation", it has become harder to
Devido à "viralização", tornou-se mais difícil 
A) consume media through social platforms.
consumir media através de plataformas sociais. 
B) distinguish what is and what is not really viral.
distinguir o que é e o que não é realmente viral. 
C) find companies willing to provide financial incentives.
encontrar empresas dispostas a oferecer incentivos financeiros. 
D) hire good content creators to engage young viewers.
contratar bons criadores de conteúdos para envolver os jovens espectadores. 

81 – More than a decade ago, there was a/an 
A) huge spread of silly TikTok videos worldwide.
B) impressive attempt to force virality in the majority of media. 
C) platform that didn't allow creators to message links to each other. 
D) delineation between viral and common everyday content. 
💡 GABARITO  🄳  
More than a decade ago, there was a/an 
A) huge spread of silly TikTok videos worldwide.
B) impressive attempt to force virality in the majority of media. 
C) platform that didn't allow creators to message links to each other. 
D) delineation between viral and common everyday content. 

82 – After platforms themselves started to realize the power of virality, 
A) TikTok made its numbers look bigger to get more advertisers. 
B) Social Blade helped diminish view counts on a few YouTube channels. 
C) Marcus Stringer's company got picked up by news agencies around the world. 
D) Facebook began inflating view counts on many of its videos. 
💡 GABARITO  🄳  
After platforms themselves started to realize the power of virality, 
A) TikTok made its numbers look bigger to get more advertisers. 
B) Social Blade helped diminish view counts on a few YouTube channels. 
C) Marcus Stringer's company got picked up by news agencies around the world. 
D) Facebook began inflating view counts on many of its videos. 

83 – According to the text, a specific group of people that is consuming a high amount of content online from all types of media and social platforms is 
A) Generation Z. 
B) content creators. 
C) MrBeast followers. 
D) social media bots. 
💡 GABARITO  🄰  
According to the text, a specific group of people that is consuming a high amount of content online from all types of media and social platforms is 
A) Generation Z. 
B) content creators. 
C) MrBeast followers. 
D) social media bots.

84 – A financial aspect that is behind "viral inflation" is the fact that viral content 
A) looks better to advertisers. 
B) helps support humanitarian causes. 
C) maintains the status of giant platforms. 
D) keeps Facebook on the top of the game. 
💡 GABARITO  🄰  
A financial aspect that is behind "viral inflation" is the fact that viral content 
A) looks better to advertisers. 
B) helps support humanitarian causes. 
C) maintains the status of giant platforms. 
D) keeps Facebook on the top of the game. 

85 – The condition which is called "viralflation" refers to 
A) the uncounted media platforms in every country. 
B) five million view counts per week on TikTok. 
C) a competition between Chinese and American platforms. 
D) tens of millions of views required for virality. 

💡 GABARITO  🄳  
The condition which is called "viralflation" refers to 
A) the uncounted media platforms in every country. 
B) five million view counts per week on TikTok. 
C) a competition between Chinese and American platforms. 
D) tens of millions of views required for virality.